Kadir van Lohuizen’s work was featured in De Volkskrant. He discusses the rising sea level in relation to his new book: After Us the Deluge.
Stanley Greene Legacy Fellowship & Prize
Stanley Greene / NOOR
NOOR and the NOOR Documentary Foundation, USA is proud to share that the laureate for the Stanley Greene Legacy Fellowship & Prize will be announced February 14th.
From the Archive: 10 years since the Arab Spring
Yuri Kozyrev / NOOR
2021 marks the 10th anniversary of the Arab Spring, a series of anti-government protests, uprisings, and armed rebellions that spread across much of the Arab world. Over the year, we'll retrace some of uprising covered by NOOR Authors Andrea Bruce, Yuri Kozyrev, Stanley Greene among others.
Nina Berman's work featured in The New York Times
Nina Berman / NOOR
Nina Berman's work was featured in The New York Times on February 1st. The article by Matthew Rosenberg and Jim Rutenberg discusses Trump's effort to overturn the election.
Nikon-NOOR Academy | Announcing the Participants for the 2021 Masterclass
We are delighted to announce the participants selected for the 2021 Nikon-NOOR Academy Masterclasses, which will take place in February and March.
The tutors of this year’s academy are Andrea Bruce, Heba Khamis, Pep Bonet, Sanne De Wilde, Jon Lowenstein, Francesco Zizola, Olga Kravets, Yuri Kozyrev and Kadir van Lohuizen.
We would sincerely like to thank all the people who sent forward their applications and congratulate the photographers who will participate in the masterclasses.
Masterclass A taking place between February 18th to 26th:
Larkat Issam
Sebastian Steveniers
Mano Svanidze
Cletus Nelson Nwadike
Dina Oganova
Cansu Yildiran
Nadja Ellinger
Emily Garthwaite
Stefanie Kulisch
Oleksandr Rupeta
Felix Adler
Thomas Victor
Zoya Shu
Danil Usmanov
Aino Väänänen
Fedor Oshchepkov
Masterclass B taking place between March 4th to 12th:
Irina Shkoda
Ivan Tomasevic
Chloe Alexandra Davies
Mattia Marzorati
Svetlana Bulatova
Kseniia Apresian
Sofia Melikova
Olga Kuzmenkova
Alexis Pazoumian
Ilyas Hajji
Arun Nangla
Maxime Riche
Mikhail Lebedev
Sina Niemeyer
Mayya Kelova
Masterclass C taking place between March 18th to 26th:
Sinawi Medine
Ira Lupu
Matjaz Tancic
Monika Orpik
Marcin Kruk
Michaela Nagyidaiová
Ludwig Nikulski
Kseniia Ivanova
Davit Nersisyan
Robin Alysha Clemens
Ingmar Björn Nolting
Sofia Gavrilova
Amirtharaj Stephen
Maria Grigorieva
Zanda Puče
To power the Nikon-NOOR Academy Masterclass applications, we teamed up with our partner Picter, an online platform hosting contests, call for applications as well as tools for professional image-makers simply their workflow.
Tanya Habjouqa's work featured in Wordt Vervolgd
Tanya Habjouqa / NOOR
Tanya Habjouqa’s work was featured in the February/March edition of Wordt Vervolgd, a magazine about human rights that is published by Amnesty Netherlands.
Yuri Kozyrev featured in De Volkskrant
Yuri Kozyrev / NOOR
Yuri Kozyrev's work was featured in De Volkskrant on the 4th of February. He captured the vaccination campaign in Russia.
Kadir van Lohuizen appeared on Dutch TV show Buitenhof
Kadir van Lohuizen appeared on the Dutch TV show Buitenhof on January 31st to talk about the rising sea level in relation to his new book: After Us the Deluge. Order the book here.
Kadir van Lohuizen featured in NRC
Kadir van Lohuizen featured in the Dutch newspaper, NRC. Van Lohuizen travelled across the world to capture the rising sea level.
Kadir van Lohuizen / NOOR
Tanya Habjouqa's Project 'A Sacred Space Oddity' exhibited by BredaPhoto
The transmedia project by Jordanian-born photographer Tanya Habjouqa is about the discrepancy between our image and the reality of today’s Middle East. The image that is regularly shown in the media of the region is that of spectacular confrontations between the Israeli army and Palestinian youth. In A Space Oddity, commissioned by BredaPhoto, the photographer goes in search of a different reality: the tensions and possibilities of life during – and under – occupation. The project combines still and moving images, sound and stereographs that together make the absurdity of the landscape almost tangible.
